![]() ![]() ![]() Related: Government Chalks New Guidelines for Social Media and OTT Platforms A future of solutionsĪdvancing regulations are an important step that can encourage companies to take this issue seriously. ![]() These tactics are facilitated by growing adoption of technology, especially social media. In addition, other recent studies have articulated the tactics traffickers use to identify, contact and groom vulnerable youths, with the ultimate aim of exploitation. Forty-five percent of kids ages 9-12 say they use Facebook daily, according to a recent study by Thorn. ![]() Most social media apps require kids to be 13 before they can access the platform without an adult's supervision, but there aren’t many failsafes to guarantee that’s the reality. The explosive growth of social media by minors created a perfect storm for age-verification issues. Many 16- and 17-year-olds can pass for 18, but your average 10-year-old cannot. A handful of years ago, preventing minors from purchasing age-restricted products was accomplished face-to-face and with a much smaller margin of error than in the digital world. This checkbox is an open door for teens and adolescents to view adult content, purchase age-restricted substances and even post inappropriate or illegal content. If you’ve ever checked a box online verifying that you’re over 18, you know how easy it is to self-identify as any age you wish. The VTM passes to another instance of the FG-73, but this time instead of being used for its tonality the FG-73 is being used as an overdrive for the bass part.īlending these two channels along with Drums, Steven shows how the bass sits in the track but has its own place in the low end.While the landscape is slowly changing, much of the internet makes age verification too simple. To give the bass part some character Steven then duplicates the track for a style of parallel processing again using the VTM but this time the VMR has the Virtual Console Collection (VCC) in the US-A setting. He then runs the output of the VTM into the Virtual Mix Rack (VMR) and a host of goodies including the FG-73 preamp emulation, the FG-S EQ and the FG-116 Vintage 1176 style compressor. Steven starts by applying Slate Digital Virtual Tape Machine (VTM) to the DI bass track to give the DI part some warmth in the form of gentle saturation. In this video tutorial from the team at Slate Digital, Steven Slate shows you how to turn a flat, run of the mill sounding DI bass part into something that is going to drive, add body and give the finished mix a solid foundation. ![]()
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